Through performative strategies, such as experimenting with the human gaze upon (non-)human bodies and intertwining verbal and acoustic scores with Instant Composition techniques, the performers engage with non-human states, allowing subtle nuances to emerge in the object-subject dynamic. In doing so, the project critically interrogates the power structures and believes around being object or subject, that are inscribed within us. The result is a series of tactile, moving still lifes that humorously expose the pervasive influence of the patriarchal gaze.